1,707 Royalty-Free Audio Tracks for "Processed Recording"

The package contains several 909 snare samples combined with real recorded snares, processed with eq saturation and compression. There's a dry version and one where reverb was added of every shot. The sounds were originally created for a drum n bass track.

Recorded with my ip4. Processed with audacity. Update 2018:you do not need my permission to use this sound anywhere. It is 100% royalty free! however, i'd love to see where the sound is used so add a comment if you want. Or not. And thanks for the nice words. . . . Have a nice day!.

Todays organ practice in schaffhausen cathedral. Youtube video of the recording: https://youtu. Be/uazae4kefhm. 96khz24bit/s.

A very simple beat useful for many styles. . . Heavily processed recorded with various microphonesprocessing involves eq, reverb, and 3 compressors working in parallel(hi tom is panned 30 right, low tom is panned 30 left).

I got bored and decided to do a little experiment by sampling my old harmonica. They're not that great but i hope someone finds use out of them. They were recorded with my computer mic. Not a whole lot of processing was done other than normalization and noise removal. Do what ever you want with them.

I got bored and decided to do a little experiment by sampling my old harmonica. They're not that great but i hope someone finds use out of them. They were recorded with my computer mic. Not a whole lot of processing was done other than normalization and noise removal. Do what ever you want with them.

I got bored and decided to do a little experiment by sampling my old harmonica. They're not that great but i hope someone finds use out of them. They were recorded with my computer mic. Not a whole lot of processing was done other than normalization and noise removal. Do what ever you want with them.

I got bored and decided to do a little experiment by sampling my old harmonica. They're not that great but i hope someone finds use out of them. They were recorded with my computer mic. Not a whole lot of processing was done other than normalization and noise removal. Do what ever you want with them.

This recording was taken around 10. 30pm near a village called dewe in uganda. Dewe is a village in uganda about 100 yards from the shores of lake victoria. I was fortunate enough to spend a month staying with a project called the dewe school of art based in the village. I took this recording while i was alone in the project gardens at night. I have not processed or tampered with the sound in any other way than slightly amplifying the original. Surround recording on zoom h2.

Demonstration of the impressive acoustics and natural reverb of the pisa baptistry http://en. Wikipedia. Org/wiki/baptistry_%28pisa%29, a few meters away from the world-famous leaning tower. Recorded with iphone 5, 44. 1 khz wav format, no post-processing whatsoever. Every hour a ticket inspector goes with this "a cappella" singing.

Recorded in my studio on my akg c-214 microphone. This is a simple guttural scream that i used for a project i was working on. It is me screaming from about 2 feet from the microphone. There is a clean version and another that is processed with reverb to make it sound like i am in a canyon.

There are nearly 3000 files here with the tag "thunder". . This is one of them. This one had the strike maybe a quarter mile / half km away, spring storm on the south end of denver, co. , usa. Recorded with a zoom h4n, internal mics at 120'. Raw file, no processing.

This is a recording made on an iphone se using the now discontinued sennheiser ambeo vr headset for binaural "3d" recording. This recording has not been processed in any way except for the levels which were normalized. Since it was a cold windy day, i believe i had the mics under a thin hat, which acted as a wind shield. This may have slightly muted the higher frequencies but it shielded the mics from wind noise. I will make some more recordings and share them.

Bought a piece of 12"x24"x22awg copper sheet metal last week and was fascinated by the warble noises it made when i picked it up out of the box. Recording: easy voice recorder (android) on a samsung s7. Post-processing: 2-pass noise removal with audacity due to fluorescent light hum and other background noise.

6-minute clip of a thunderstorm with sweeping rainfall in the grass and trees of my back yard in northern colorado. Sounds of annoyed crows and grackles can be heard periodically in the distance, and the ambient sound of water through the gutters and downspouts is also prevalent. Recorded with a tascam dr-60d and two behringer xm1800s dynamic mics. Post processed with amplification and mid eq boost in audacity.

One satisfying thunder crack, followed by it's rumbly aftermath, as well as a car passing on the street in the distance. There is no compression or eq applied, and the file has a high dynamic range, so for many applications you may need to use some dynamics processing to reduce the dynamic range. Recorded with spaced pair ksm141, in omni mode, no filters.

Pobblebonk frog named for the sound of its call or the eastern banjo frog. An australian frog with a distinctive call. Note i've used selective eq to remove the cicada calls. An accompanying file has the cicada calls unedited. Recorded with rode ntg5 - > zoom h4n pro -> processed in adobe audition, equalisation, hi-pass, eq.

This clip was a test for my new roland cs-10em binaural microphones. It was recorded from my balcony. I live in city so you will hear traffic, cars and motorcycle, people chatting and a barking dog. For this clip i used my zoom h1n (96khz/24bit) with roland cs-10em binaural microphones. The sound was no post-processed.

It is a recording made with the following instrument´s: 1. Glass cup and spoon; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by roland tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

Direct exterior mic recording of an arrow being fired from 40lbs english longbow. Recorded on rode shotgun mic into zoom h4n. De noised/de bird atmos in rx6 then logic processing.

Recorded my dog chewing a dental treat. Signal flow:zoom h6 > rode ntg2 (phantom power provided by h6)mic placed approximately 7 inches from mouth. Audio has been processed to remove hum/noise.

Low e string on acoustic guitar scrape slide with pick. Increased pitch, wah-wah effect at 31. 2%, light tremolo,fade and noise reduction used. Recorded with conexant smart audio using at2020 mic, processed on audacity.

Car driving past while speed changing. Passing by on a somewhat moist pavement on a slightly windy day. Sampled in vantaa on an iphone 12 pro max. Sound converted from m4a to wav format for processing. Minimal background noise from other traffic. Some distrurbance on the microphone.

Washed out metal clashes carried by a beating pulse; pitched metal sounds drowned in reverb, lfo with sample and hold modulation, tense atmospheric drone. Created with mother 32 and 2hp play + happy nerding fx aid, recorded on zoomh6, no post processing.

More metallic version of rev spaceship drone - recording of a saucepan lid span on a ceramic tiled floor, reversed and timestretched then convolved with reverb and a rhythmic fx sample. All four samples designed to be layered/looped/eq'd as needed.

Samples from a freakenfurby, a circuit-bent furby toy by dave barnes. These are glitched speech synthesized vocalizations recorded at 32 bits by direct connection into sonar. They were downsampled to 16-bit, broken into individual cues, edited and processed and filtered to remove offset correction issues and other unpleasant artifacts.

Cricket shoes walking on pavement: in this sound you will hear cricket shoes( spikes ) walking on pavement it has a sharp sound when walking on pavement but is oddly satisfying to listen to. Recorded using the zoomh4n and the rode ntg1 condenser shotgun microphone. No processing was done on this sound. The cricket shoes are addidas shoes and the pavement was a concrete pavement.

Alien drone ship, oscillating bass frequencies, deep. Recorded with the tascam dr-40 built-in microphones, processed in pro tools 10, bounced to a 48khz 24bit wav file.

Fx of a rainstick pass by in front of microphone, different versions, doppler, very good alternative to the overused whoosh sound we ear all the time and make me go crazy, can be processed, pitched, reverbed easily, recorded at 48-16 with portable dat using schoeps ms ball, edited and decoded in stereo in pt.

Note e. Atmospheric cinematic pad. I recorded the guitar, then processed a lot of reverb and added some synth sounds. You can put it in the sampler by setting the root note to e and you will have a complete instrument. I especially like to layer on it additionally the sounds of the waves that i put on my page before.

It is a recording made with the following instrument´s: 1. Pianito toy model n88e / hk-6015c from china; 2. A steren brand microphone, steren amateur model, was used; 3. The recording was done using the pure data adc code, and the necessary code to make a sampler with [tabwrite ~]; 4. The recording was made with the audio interface provided by the tb-03 monophonic synthesizer and with the arduor 5 digital audio station; the processing instruments used to perform equalization, mixing and mastering, the so-called “eq arduor team” and “compressor arduor team” virtual instruments.

This is a field-recording of washing up / doing the dishes after a small lunch. All separate steps of the process are included in the recording:0:00 - 0:54 s: filling the sink1:00 - 3:10 s: washing up3:10 - 6:03 s: drying the dishes with a towel and ranging them in cupboards and drawers6:03 - 6:21 s: draining the sink6:21 - end : cleaning the sink. The recording was made with the mid-prize smartphone huawei p10 lite. The recording was created as background atmosphere for my trackhttps://soundcloud. Com/rabmusiclab/washing-up.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Deep and dark sci-fi background noise that could fit a movie space ship, e. G. In the warp drive chamber. The actual sound source is a gas stove that has been recorded using a fostex fr2 recorder and a pair of røde nt5 mics in x/y positioning. The original 24/88. 2 recording has been slowed down 99% using audacity. Some echo added.

This is a powerful turkey lure/call or general sound effect. Recorded entirely on my own equipment, a zoom h8 at 96 khz @ 24-bit encoding for high resolution life-like playback. Background filtered to absolute silence using nch wave pad and mix pad, along with rodecaster pro audio dsw processing.

Samples from a freakenfurby, a circuit-bent furby toy by dave barnes. These are "normal" speech synthesized vocalizations (without glitches) recorded at 32 bits by direct connection into sonar. They were downsampled to 24-bit, broken into individual cues and processed and filtered to remove offset correction issues and other unpleasant artifacts.

Three weeks old baby girl crying. Recorded using samson go mic and post-processed to reduce noise using adobe audition. If you've used this audio in your work, please comment the link below. I'd love to see/hear it!.

Three quick samples of the gear one mk1000 on kick (+ a single audio technica at2020 overhead on the rest of the kit). Recorded straight into a tascam us-1800 in a lousy room with a less-than-optimal 22" mapex kick drum. Each quick loop / snippet is 1) presented in mono / processed with compression and some eq (mostly a 6dbish scoop at around 300hz on the mk1000 and 80hz rolloff on the 2020 with about 5db less on the mk1000 than the 2020), then 2) presented exactly as recorded / no processing at all save normalization, mk1000 panned hard left channel, at2020 panned hard right. The first two samples are the mk1000 in the resonant head cutout, the third is the mk1000 positioned about 4" from the head and just about 2" from dead center of the drum.

Request, drop a pill into fizz water and recorde the disslove. I recorded the whole process: open the pill, open the bottle, drop the pill several times, fill the glas with pop-water, drop the pill and waiting for dissolve.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

A one-take recording of someone trying to do a dutch approximation for a suspenseful audio drama, i tried to clean it up as best i could and final form will be cleaned up/lower volume/panned out to sides. The only microphone i had access to was a sansa zipclip mp3 player. Apparently this is german!.

Chinese flute loop from morphagene processed to rainforest atmosphere by makenoise and cortini´s strega. Strega is also being sequenced by rené. Feel free to splice into morphagene and add markers to taste. It's sampled at 48khz 32 bit. I used reaper to record it. Most of all, enjoy!.

Drum trigger sample for drum enhancement in recordings or live use. Recorded at a music store in brazil, along with other kicks and snares, using audio technica at2020 condenser, alesis io4 interface and edited by me using the daw reaper. The sample is highly processed, with comp and eq, and have no resemblance with the original sound source. However, it adds a very cool punch and tone, perfect for music styles like rock and metal.

I recorded a viola for a theatre project. I recorded it in a dry room, close mic with a neumann tlm103. Some samples are just noises of the bow on the c or d string, then once in a while creating overtones, other samples contain some processing with echoboy by soundtoys. Amazing plugins they make!. Feel free to use the samples in any way you like. If you use it in a project i am always curious to hear it. Comments and questions welcome.

A few strokes from a felt tip pen. I couldn't find any of the right length on here so thought i'd share. Unfortunately these are recorded on a mobile phone, but i've not done any audio processing so you can gain and de-noise to your own needs.

May 18, 2017recorded at a tea garden in yong fu temple, hangzhou (30°14'23. 6"n 120°05'52. 3"e), with my samsung galaxy s7. I converted the original 48khz 256kbps aac file to wav with ffmpeg. No other processes.

A very simple experiment i made for fun, using kinda low quality processed recordings. I tried to create some kind of alien soundscape vaguely inspired by half-life xen, especially the black mesa version.